- FM Audio Processing /
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Claesson Edwards - Breakaway Broadcast software audio processor standard
Vergroot The first true world-class Broadcast Audio processor in software, for FM, AM and all forms of Digital Broadcasting.
The difference in quality compared to leading hardware processors is amazing -- where other processors strain and fall apart, Breakaway Broadcast Processor is loud and clear -- even with extremely difficult instruments like xylophones. The result is a broadcast with volume and punch that dominates the competition, with a clarity that they cannot possibly achieve.
Breakaway Broadcast Processor reaches these levels of volume, punch, quality, and clarity, by intelligently hiding clipping distortion where it\'s least likely to be heard. It\'s not magic -- just pure science.
Breakaway Broadcast Processor is also the first software processor to be fully standards compliant - impeccable peak control (+/- 75 kHz deviation), 60dB Pilot Protection, and fully compliant with ITU-R SM.1268-1 "Stokkemasker".
There are two distinctly different versions of Breakaway Broadcast Processor. This comparison will help you pick the right one:
With a 2- or 4-instance license, you can run multiple instances on the same computer, to process (for example) FM, Web, Low bit rate and High bit rate streams separately!
Features
· Advanced Distortion Cancelled Clipping back-end, for
· unprecedented clarity on FM, while being competitively loud. It\'s
· significantly cleaner sounding than anything on the market -- $10000+
· boxes included.
· PHASE LINEAR from beginning to end, to maintain waveform fidelity even with pre-distorted CDs
· Pre-emphasis (75 / 50us for FM, 25 / 15us for webcasting)
· Adaptive asynchronous sample rate conversion (Input 44100 - 192000, Output 44100 - 192000)
· FM Stereo Encoder (MPX), with Pilot+RDS input for using an external RDS encoder, or Airomate RDS software.
· Line-up tones: 400hz, 1000hz, 60hz Square, Sweep, and Bessel Null tones
· Adjustable Tilt correction, separate for L/R and MPX outputs
· Phase Linear Parametric EQ for the MPX output, to compensate for sound-card frequency response
· Defeatable L/R output de-emphasis -- so you can preview the audio with your regular sound card
The difference in quality compared to leading hardware processors is amazing -- where other processors strain and fall apart, Breakaway Broadcast Processor is loud and clear -- even with extremely difficult instruments like xylophones. The result is a broadcast with volume and punch that dominates the competition, with a clarity that they cannot possibly achieve.
Breakaway Broadcast Processor reaches these levels of volume, punch, quality, and clarity, by intelligently hiding clipping distortion where it\'s least likely to be heard. It\'s not magic -- just pure science.
Breakaway Broadcast Processor is also the first software processor to be fully standards compliant - impeccable peak control (+/- 75 kHz deviation), 60dB Pilot Protection, and fully compliant with ITU-R SM.1268-1 "Stokkemasker".
There are two distinctly different versions of Breakaway Broadcast Processor. This comparison will help you pick the right one:
| BBP Standard | BBP ASIO | |
| Advanced distortion masked clipper |
Yes | Yes |
| On-air Low Latency (17ms) | No | Yes |
| Audio drivers supported | Wave, DirectSound, Kernel Streaming |
ASIO only |
| Low Latency studio output (8ms) | Through Breakaway Live only |
Yes |
| Low Latency studio output and MPX output through 1 sound card |
No | Yes |
| Trial length | Forever | Forever |
Features
· Advanced Distortion Cancelled Clipping back-end, for
· unprecedented clarity on FM, while being competitively loud. It\'s
· significantly cleaner sounding than anything on the market -- $10000+
· boxes included.
· PHASE LINEAR from beginning to end, to maintain waveform fidelity even with pre-distorted CDs
· Pre-emphasis (75 / 50us for FM, 25 / 15us for webcasting)
· Adaptive asynchronous sample rate conversion (Input 44100 - 192000, Output 44100 - 192000)
· FM Stereo Encoder (MPX), with Pilot+RDS input for using an external RDS encoder, or Airomate RDS software.
· Line-up tones: 400hz, 1000hz, 60hz Square, Sweep, and Bessel Null tones
· Adjustable Tilt correction, separate for L/R and MPX outputs
· Phase Linear Parametric EQ for the MPX output, to compensate for sound-card frequency response
· Defeatable L/R output de-emphasis -- so you can preview the audio with your regular sound card
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